Odeya Nini / Patrick Shiroishi / Booker Stardrum

Jan 27th at 5:35pm

TreePeople

Program

  • Nini / Shiroishi / Stardrum Orison World Premiere

About

Three of the most prolific composer-performers in Los Angeles, Odeya Nini (voice), Patrick Shiroishi (saxophone), and Booker Stardrum (percussion, electronics), create a new evening-length co-composition. They deliver consistent depth and focus in their performances, combining here to create something part meditation, part ballet, and part ecstatic wailing.

Orison

A prayer. Simply, vaguely, abstractly, exactly, a repetitive mantra, a complex call to cry and heal. The voice, saxophone and percussion will support each other, weave themselves within and without, and stand each alone as they journey in waves of reverberation.
Can anyone hear us?
Absolutely gloriously unknown.

Orison is an open composition by Odeya Nini, co created with Patrick Shiroishi and Booker Stardrum.

About Darkness Sounding

We welcomed the return of our winter festival in partnership with floating and TreePeople. Darkness Sounding is an on-going project that explores how sound and music shape our understanding of the world. It convenes around mindfulness and nature, featuring drone, minimal, and ambient music. Through deep listening, intentional gathering, and thoughtful questioning, we foster awareness and understanding to expand our connections to ourselves, each other, and the natural world.

Artists

  • Odeya Nini

    Odeya Nini is a Los Angeles based interdisciplinary vocalist and composer. At the locus of her interests are performance practices, gesture, textural harmony, tonal animation, and the illumination of minute sounds, in works spanning chamber music to vocal pieces and collages of musique concrète. Her solo vocal work extends the dimension and expression of the voice and body, creating a sonic and physical panorama of silence to noise and tenderness to grandeur.

    Odeya’s work has been presented at venues and festivals across the US and internationally from Los Angeles to Tel Aviv, Australia, Mongolia, Madagascar and Vietnam. Her recent album ODE, for solo voice, was recognized as a notable recording of 2022 by The New Yorker Magazine. She is the founder of Free The Voice and leads vocal sound meditations, workshops and retreats exploring the transformative and healing qualities of the embodied voice.

  • Patrick Shiroishi

    Patrick Shiroishi is a Japanese-American multi-instrumentalist and composer based in Los Angeles who is perhaps best known for his extensive and incredibly intense work with the saxophone.  Over the last decade he has established himself as one of the premier improvising musicians in Los Angeles, playing solo and in numerous collaborative projects.  Shiroishi may well be considered a foundational player in the city’s vast musical expanse.  

    Since the release of his 2013 solo debut black sun sutra, Shiroishi has produced a hefty handful of LPs. Sometimes, his work is sprawling and bizarre. At other times, it’s more subdued. But at the root of all of his endeavors lies strong musical partnerships, resulting in records that capture the freewheeling energy of all the musicians, collectively embracing spontaneity.

  • Booker Stardrum

    Booker Stardrum is a composer, percussionist, producer, and educator. His compositions are sculptural, carved from the dense layering of instruments and manipulated samples, a pantonal harmonic sense, and an intuitive approach to rhythm. Stardrum has released three solo records (‘Crater in 2021,’‘Temporary etc.’ in 2018 and ‘Dance And’ in 2015). ‘Temporary etc’ is a highly personal amalgamation of electro-acoustics, minimalism, ambient, jazz, and contemporary experimental electronic music that The Wire said “further solidifies Stardrum’s position as one of America’s most intriguing composers.” ‘Crater’ expanded on the techniques of his previous effort with “jaw-unhinging splatterdrum masterworks that seem to explode from Stardrum’s tactile performance (BoomKat).”

    Throughout the last decade, Stardrum has collaborated, toured, and recorded with Horse Lords, Lee Ranaldo, Carl Stone, Wendy Eisenberg, Weyes Blood, Lisel, Chris Williams, Yuka C Honda, jaimie branch, Cloud Becomes Your Hand, Landlady, and the Young Jean Lee Theater Company, in addition to countless experimental and improvisational collaborations. Stardrum has scored films by Suneil Sanzgiri and Miranda Javid. He is a OneBeat fellow, a New Amsterdam Composer fellow, a Pioneer Works resident and a Denniston Hill resident and has had new works commissioned by National Sawdust (Brooklyn, NY) and Indexical (Santa Cruz, CA). He has toured in the US, Europe, Asia, and South America and has performed at such festivals as Big Ears (US), Rewire (NL), Le Guess Who (NL), Moers (DE), Meltdown (U.K.), Brighton (U.K), Festival Bo:m (ROK), Hopscotch (US) and Ecstatic Music (US). His discography includes solo and collaborative releases on independent labels such as NNA Tapes, Northern Spy Records, Mexican Summer, Saddle Creek, Luminelle, Prom Night Records and Home Tapes. Booker lives in unceded Munsee territory also known as the Hudson Valley in New York State.

About Endless Season

Art in LA has been about freedom and an abundant eschewing of history. With intersecting methods and intentions, humble, aspiring, a city appealing to the aesthete and the mystic in all of her citizens. Here, famous artists are also street-side sign painters, our best restaurants drive or live in strip malls, and our landmarks are geographical before architectural or fleetingly experiential instead of permanent monuments to their own lineages. Here, our religious and secular musics sound the same.

Endless Season gathers around these uniquely West Coast traits. We ask lead artists to question, reinterpret, and challenge the past, modality, and genre. We hold a space of intersectionality and dialogue surrounding every aspect of our work. Together, we will explore the breadth of work and practices, discovering the many shapes of music and ideas in LA today.

Endless 2023 – 2024

This season puts Wild Up members at the center more than ever, showcasing the creative energy of this community of artists. There will be a dozen concerts featuring members not only as brilliant performers but also as composers and creators. The nexus is ENCLAVE, a weekend festival of Wild Up Composers and Creators in December, featuring Andrew Tholl, Shelley Washington, Jodie Landau, Sidney Hopson. Like most of the season, this weekend highlights the many shapes of music and ideas in Los Angeles today and starts codifying an LA school of composition.

Milestones run through the season, including revivals and seminal works from Julius Eastman and Gérard Grisey and more than a dozen World and West Coast Premieres, including workshops of three new large-scale works-in-progress: a new multi-disciplinary work by Sarah Hennies, with visual artist Susan Silton and L.A. Poet Laureate Lynne Thompson, portraits of genius emerging artists Leiliehua Lanzilotti, inti figgis-vizueta, and claire rousay, a new opera by David Longstreth, and the very beginnings of a deep dive into Arthur Russell.

In 2024, we welcome the return of Darkness Sounding, a festival that explores how listening, sound, and music shape our understanding of the world.